Rudolf Nureyev, the young star of the Soviet Union’s Kirov Opera Ballet Company, during a stopover in Paris. The high-profile defection was a blow to Soviet prestige and generated international interest.
Nureyev became a star of Russian ballet in 1958 when, at barely 20 years old, he was made one of the Kirov Opera Ballet’s featured soloists. The Kirov and the Bolshoi ballet companies were two of the jewels of Soviet cultural diplomacy, and their performances earned worldwide accolades and respect for the arts in the USSR. In June 1961, the Kirov Company finished a run in Paris. On June 16, just as the company was preparing to board a flight home, Nureyev broke from the group and insisted that he was staying in France. According to eyewitnesses, other members of the troupe pleaded with Nureyev to rejoin them and return to the Soviet Union. The dancer refused and threw himself into the arms of airport security people, screaming, “Protect me!” The security officials took Nureyev into custody, whereupon he asked for political asylum. The Kirov Company fretted over the loss of its star and Soviet security guards fumed over Nureyev’s defection. Eventually, the troupe flew back to Russia without the dancer.
Nureyev’s high-profile defection was a double blow to the Soviet Union. First, it detracted from the quality of the Kirov Company, which had featured the young prodigy prominently in its performances throughout the world. Second, it severely damaged Soviet propaganda that touted the political and artistic freedom in Russia.
Nureyev continued with his career after his defection. During the next 30 years he danced with England’s Royal Ballet and the American Ballet Theatre. He was in great demand as both a dancer and choreographer, and even made a few films (including a disastrous turn as the silent film star Rudolf Valentino). In 1983, he took over as ballet director of the Paris Opera. In 1989, he briefly returned to the Soviet Union to perform. He died in Paris on AIDS-related causes in 1993.
